Big Brother and the Holding Company
is an American rock band that formed in San Francisco in 1965 as part of the same psychedelic music scene that produced the Grateful Dead, Quicksilver Messenger Service and Jefferson Airplane. They are best known as the band that featured Janis Joplin as their lead singer. Their 1968 album Cheap Thrills
is considered one of the masterpieces of the psychedelic sound of San Francisco; it reached number one on the Billboard charts, and was ranked number 338 in Rolling Stone's the 500 greatest albums of all time.
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BIG BROTHER AND THE HOLDING COMPANY TICKETS
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Band History
Roots in San Francisco
Leader Peter Albin (a country-blues guitarist who had played with future founders of the Grateful Dead
Jerry Garcia and
Ron McKernan) met
Sam Andrew, who had a jazz and classical background and had played rock & roll professionally. Both started to play together in Peter's house, and then Sam asked him to form a band.
[1] They approached
James Gurley, and the three began playing open jam sessions hosted by entrepreneur
Chet Helms in 1965. Helms encouraged them to form a group, found them a drummer, and set up their first gig, at the Trips Festival in January of 1966. In the festival audience was
David Getz, a painter and jazz drummer, who soon replaced the original drummer, Chuck Jones. Big Brother and the Holding Company became the house band at the
Avalon Ballroom, playing a progressive style of instrumental rock. Feeling a need for a strong vocalist, Helms contacted
Janis Joplin in Austin, Texas. She traveled to San Francisco and joined the band in June of 1966.
[2]
Janis Joplin
Joplin sang for the first time with Big Brother in 1966. Years later, guitarist Sam Andrew described the band's first impressions of her:
"ref">[3]
It took a while for some of the band's followers to accept the new singer. Her music was completely different from that which Big Brother was playing at that time. Big Brother had a very experimental and non-conventional sound, but when Janis joined, they became more conventional musicians, their songs adopted a more conventional structure, and the band started to increase its popularity in the underground San Francisco psychedelic scene.
[4]
Mainstream Album
At the end of 1966, Big Brother signed a contract with
Mainstream Records. They recorded all the songs for the album
Big Brother & the Holding Company
for Mainstream at a studio in Chicago in three days; December 12 through 14th. Mainstream was known for its jazz records, and Big Brother was the first rock band to work with them. This may have influenced the final result, since the album sounded very different from what the band expected: acoustic and folk instead of heavy acid rock. The first single released was "Blind Man" b/w "All Is Loneliness," both from the album sessions, in July 1967. It was popular in the San Francisco Bay Area, but didn't garner much national attention. A second single, "Down On Me" b/w "Call On Me" was released along with their self-titled debut album in Sept. 1967, following the band's national success after the
Monterey Pop Festival. The album debuted on
Billboard charts on 9/2/67, peaking at #60. It stayed on the charts for a total of 30 weeks. "
Down On Me" had a long gestation in the marketplace and finally debuted on the
Billboard Hot 100 chart on 8/31/68, peaking at #43. It stayed on the charts for 8 weeks. Other singles from the album were released through the end of 1967 and 1968. One final Mainstream single, "Coo Coo" b/w "The Last Time," was released after the band's second album came out on Columbia Records, in Nov. 1968. These last songs were from the original album sessions, but were not included on the album until Columbia Records bought the rights to all the Mainstream material and reissued the LP in the 1970s.
[5] [6]
Monterey Pop Festival
The band's historic performance at the
Monterey Pop Festival in June of 1967 attracted national and international attention. The band was scheduled to play on Saturday afternoon, with a set which included "Down on Me", "Combination of The Two", "Harry", "Roadblock" and "Ball and Chain". However, the band decided not to allow Pennebaker's film crew to film and record them without paying them, and ordered the crew to turn its cameras off. The festival promoters thought the band performance was great, and ask them to play again the next evening in order to record it on film, but they played only two songs: "Combination of The Two" and a short version of "Ball and Chain" (without James Gurley's guitar solo). "I remember being amazed that this white woman was singing like
Bessie Smith," said
Michelle Philips once. "I was astounded". They signed a contract with
Columbia Records that November, and
Albert Grossman became their manager.
[7]
National success
Having received national recognition after the Monterey Pop Festival, Big Brother was booked by Columbia for engagements around the country. A well-known band on the West coast (especially in San Francisco), Big Brother played their first East Coast concert in New York City on February 17, 1968 at the Anderson Theater, 66 Second Avenue. Columbia's marketing department featured Janis Joplin as the star; before that time, some of the band's audience regarded James Gurley as of equal or more importance. In New York the press criticized the band for playing out of tune and for amplifiers set at maximum volume. The Village Voice, while noting that “ears came out ringing” after the Saturday night performance, cited Janis as ranking in sexual pizazz with Jim Morrison and Jimi Hendrix, and praised “her belting, groovy style,” mixing Bessie Smith, Aretha Franklin and James Brown. “At times she seemed to be singing harmony with herself.” Big Brother was the first band to play in the legendary
Fillmore East, in New York City, on March 8, 1968.
[8] [9] [10] [11] [12]
Cheap Thrills
and split with Joplin
Their first album with Columbia was due to be recorded the spring and summer of 1968, and released later that year. It was eagerly anticipated, after the first album had been largely ignored. Initially planned as a live album, the band played two concerts at
Grande Ballroom in
Detroit, but the recorded results did not satisfy the producer
John Simon or the manager Albert Grossman. The live album project was canceled, and Columbia decided to record most of the songs in studio. ("Down on Me" and "Piece of My Heart", taken from the Grande Ballroom concerts, were later released as part of Joplin's live album
In Concert
in 1972.) However, it was difficult adapting their raw sound and unorthodox work habits with the realities of a professional studio. The progress was slow, and the pressure from Grossman, Columbia, and the press increased. A few of the band members believed that John Simon shouldn’t be the producer, believing that he came from a different musical style and didn't understand the band's psychedelic, guitar based sound.
The album was initially named
Sex, Dope and Cheap Thrills
, but Columbia asked them to change it to just
Cheap Thrills
. For the cover, Columbia had the band photographed naked in a hotel room bed, but the band didn't like it, so the band asked underground comic-book artist R.Crumb to create something. What was originally meant to be the back cover became the classic cover of the album, for the back cover Columbia chose a black & white picture of Janis Joplin. "Ball and Chain" is the only song on the album recorded entirely live, and even though the cover credits assert that the live material was recorded at
Bill Graham's
Fillmore Auditorium, it was actually taken from a concert in
Winterland Ballroom in 1968; the same version that appears on the album
Live at Winterland '68
, released in 1998.
[13] The album was released in the summer of 1968, one year after their debut album, and reached number one on the Billboard charts in its eighth week in October. It held the number one spot for eight (nonconsecutive) weeks, and the single "Piece of My Heart" also became a huge hit. By the end of the year it was one of the most successful albums of 1968, having sold nearly a million copies. Even though the album was released with only seven songs, the other eight songs which were not included were released on subsequent albums. "Catch Me Daddy" and "Farewell Song" were among their most popular songs, and their original outtakes were released in the 3-cd set
Janis
in 1993. "It's a Deal" and "Easy Once you Know How" were released in Joplin's
Box of Pearls
in 1999. "Flower in The Sun" and "Roadblock" were released on the
Cheap Thrills
reissue cd as bonus tracks.
[14] [15] [16]
At the end of the summer of 1968, just after appearing at the Palace of Fine Arts Festival in San Francisco, Joplin announced that she was leaving Big Brother in the fall of that year. The official reason given was her desire to go solo and form a
soul music band. Sam Andrew also left the band to join Janis in her new project. Janis played with Big Brother until December 1st, 1968, at a
Family Dog Benefit concert in San Francisco. Twenty days later she and Sam played in Memphis for the first time with her new band, later called Kosmic Blues Band.
1969-1972
After Janis left Big Brother, Dave Getz and Peter Albin joined
Country Joe and the Fish and toured the U.S. and Europe and played on the Country Joe album
Here We Go Again
(Vanguard Records 1969). Dave and Peter left Country Joe in May of 1969 with the intention of re-forming Big Brother with guitarist
David Nelson. They auditioned several singers including
Eddie Money, Kathi MacDonald and John Herald but the band finally came back together in the fall of 1969 with nearly the same line-up (except Joplin): Albin, Andrew, Getz and Gurley were joined by
Nick Gravenites (vocals),
Dave Schallock (guitar) and
Kathi McDonald (vocals).
Be a Brother
was released in 1970, and was the first album without Janis Joplin. James Gurley now was on the bass while Peter Albin became the rhythm guitar player, Sam Andrew singing more of the lead vocals with Kathi McDonald, David Schallock on lead guitar, Dave Getz on the drums and occasional keyboards. Nick Gravenites would also produce the album, write and sing on a number of the tracks. They releasad their last studio album,
How Hard It Is
, in 1971. The same lineup: Kathi and Sam and Nick on vocals joined by organist Mike Finnegan. The band remained with this lineup until 1972 but drugs, loss of management, lack of gigs and internal squabbles caused them to gradually fall apart and disband during that year. During the next 15 years they re-united once to play "The Tribal Stomp" in 1978 at the Greek Theatre in Berkeley.
1987-present
The latest incarnation began in 1987, and has been touring part-time ever since with most of its original members, including Sam Andrew, Peter Albin, Dave Getz, and James Gurley. James left in 1996 because he didn't support his colleagues' idea to hire a female singer to replace Joplin.
[17] He was replaced in 1997 by
Tom Finch.
[18] Big Brother no longer has a fixed lead singer; Michel Bastian, Lisa Battle, Halley DeVestern,
[19] Lisa Mills, Andra Mitrovich, Kacee Clanton, Sophia Ramos, Mary Bridget Davies, Chloe Lowery, Jane Myrenget and
Cathy Richardson are among the singers that have played in concerts with them. Ben Nieves is the present guitar player along with Sam Andrew.
[20] In 1999 the band released the album
Do What Your Love
, with Lisa Battle as the lead singer. The album contain some new versions of classic tunes like "Women is Loser" and a few new songs. The "Hold Me" album, with Sophia Ramos as lead singer and Chad Quist as guitar player, was recorded live in Germany in 2005, and released in 2006. In 2008 they released the two-CD set
The Lost Tapes
, with songs recorded at concerts between 1966 and 1967 in San Francisco, and featuring Janis Joplin as lead singer. Some songs had already been unofficial releases, but there are 12 never-before-released songs.
[21] [22]
Controversy
In 2007, following the induction of
Cheap Thrills
to
Grammy Hall of Fame, former guitar player James Gurley, described Big Brother as the most maligned band ever, since they never received appreciation for the arrangements they did and all the engineering tricks he came up with. Gurley also believed that
Clive Davis told Janis to leave the band and record her songs with studio musicians, who could play better.
In the documentary
Nine Hundred Nights
, Peter Albin said that the manager Albert Grossman told Janis to leave Big Brother and form her own band, with studio musicians, in order to spend less money on recording sessions. Sam Andrew, said later that Janis left due to artistic and financial reasons: Janis usually asked the band to have some keyboard or horns on at least on some songs, but they said "No! You are going to change the Big Brother sound"; the band was also doing the same songs a lot, sometimes three times a day, so she started feeling trapped. The band was splitting the money in five equal ways, by leaving she could have all the money and just pay some employees and have a new band.
[23]
In 1982, Columbia released the Janis album
Farewell Song. The release displeased Big Brother´s living members, since their original instruments were all replaced by studio musicians without consulting the band. James Gurley spoke about that in 1987, before the bands reunion: "It’s just a total bullshit record…some producers dream at CBS."
[24]
Discography
- Big Brother & the Holding Company
(1967)
- Cheap Thrills
(1968)
- Be a Brother
(1970)
- How Hard It Is
(1971)
- Can't Go Home Again
(1997)
- Live at Winterland '68
(1998)
- Do What You Love
(1999)
- Hold Me
(2006)
- The Lost Tapes
(2008)
References
- http://www.cincygroove.com/?q=node/357
- http://www.rollingstone.com/artists/bigbrotherandtheholdingcompany/biography
- http://www.bbhc.com/sam_interview.html
- Love, Janis
- Joplin, Laura (2005-08-16). ''Love, Janis''. HarperCollins. ISBN 0-06-075522-9
- ''Big Brother and The Holding Co.'' 1999 cd reissue booklet, with notes by Sam Andrew.
- Rolling Stone, The Fortieth Anniversary Special Edition, Issue 1030/1031.>>July 12-26,2007
- ''Nine Hundred Nights, Big Brother and The Holding Company with Janis Joplin,'' 2001, USA, documentary about band's history with Janis Joplin as lead singer.
- http://www.officialjanis.com/dates_1967.html
- http://www.officialjanis.com/dates_1968.html
- Friedman, Myra (1992-09-15). ''Buried Alive: The Biography of Janis Joplin''. Crown Publishing Group. ISBN 0-517-58650-9
- http://www.fillmore-east.com/showlist.html
- http://www.amazon.com/Winterland-Janis-Joplin-Brother-Holding/dp/B000007TSP/ref=sr_1_3?ie=UTF8&s=mus
- http://www.officialjanis.com/b_albums_boxofpearls.html
- http://www.officialjanis.com/b_albums_janiscd2.html
- http://www.janis.user.icpnet.pl/unofficial.htm
- http://janisjoplin.net/articles/75
- Tom Finch Website
- Celebrity Cafe' Interview of Halley DeVestern
- http://www.modernguitars.com/archives/004409.html
- http://bbhc.com/eshop/index.php?main_page=product_info&cPath=1&products_id=63
- Book about the Bandbiography accessed 2008-01-02
- http://www.bbhc.com/sam_interview2.html
- http://www.bbhc.com/forum/viewtopic.php?p=1043&sid=d4e2463d6450a7ecdf65768d0d728372