Dar Williams
(Dorothy Snowden Williams, born April 19, 1967) [1] is an American singer-songwriter specializing in pop folk.
She is a frequent performer at folk festivals and has toured with such artists as Mary Chapin Carpenter, Patty Griffin, Ani DiFranco, The Nields, Shawn Colvin, Girlyman, Joan Baez, and Catie Curtis.
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DAR WILLIAMS TICKETS
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Dar Williams Tickets 5/3 | May 03, 2024 Fri, 7:30 PM | | Dar Williams Tickets 5/4 | May 04, 2024 Sat, 8:00 PM | | Dar Williams Tickets 5/5 | May 05, 2024 Sun, 7:30 PM | | Dar Williams Tickets 5/7 | May 07, 2024 Tue, 7:30 PM | | Dar Williams Tickets 5/9 | May 09, 2024 Thu, 8:00 PM | |
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Biography
Williams was born in
Mount Kisco, New York, and grew up in
Chappaqua with two older sisters, Meredith and Julie. Her nickname "Dar" originated due to a mispronunciation of "Dorothy" by one of Williams's sisters.
[2] Recently, in an interview with WUKY radio, Dar said her parents wanted to name her Darcy, after the character in Pride and Prejudice, and that they intentionally called her "Dar-Dar", which she shortened to "Dar" in school.
[3]
In interviews
[specify], she has described her parents as "
liberal and loving" people who early on encouraged a career in
songwriting. Williams began playing the guitar at age nine and wrote her first song two years later. However, she was more interested in
drama at the time, and majored in
theater and
religion at
Wesleyan University.
Williams moved to
Boston, Massachusetts in 1990 to further explore a career in theater. She worked for a year as stage manager of the
Opera Company of Boston,
[4] but on the side began to write songs, record demo tapes, and take
voice lessons. Her voice teacher encouraged her to try performing at coffeehouses, but her early years performing were made difficult by the intimidating nature of the Boston
folk music scene, as well as her own battle with
stage fright. In 1993 Williams moved to
Northampton, Massachusetts.
Early in Williams's music career, she opened for
Joan Baez, who would make her relatively well known by recording some of her songs (Williams also dueted with Baez on
Ring Them Bells
). Her growing popularity has since relied heavily on community coffeehouses,
public radio, and an extensive fan base on the Internet.
Williams recorded her first full album,
The Honesty Room,
under her own label,
Burning Field Music. Guest artists included
Nerissa and Katryna Nields and
Gideon Freudmann. The album was soon picked up by
Waterbug Records. In 1995, she moved to
Razor & Tie, and her first album for that label, 1996's
Mortal City
received substantial notice, partially due to the fact that it coincided with her tour with Baez. The album again featured guest appearances by the Nields sisters and Freudmann, as well as noted folk artists
John Prine,
Cliff Eberhardt and
Lucy Kaplansky. With that success, Razor & Tie re-released
The Honesty Room
. By the time of her third release,
End of The Summer
(1997), Williams' career had gathered substantial momentum, and the album did remarkably well
[specify], given its genre and independent label status.
In 1998, Williams,
Richard Shindell and
Lucy Kaplansky formed the group
Cry Cry Cry as a way to pay homage to some of their favorite folk artists. The band released an eponymous album of covers and toured from 1998 to 2000.
She has since released four more studio albums on the Razor & Tie label (
The Green World
(2000),
The Beauty of the Rain
(2003),
My Better Self
(2005), and
Promised Land
(2008)), as well as a live album (
Out There Live
(2001)).
Williams has lent her talent and support to various causes, founding the
Snowden Environmental Trust and taking part in many benefit concerts. She performed in a show at
Alcatraz with Baez and the
Indigo Girls, to benefit the prisoner-rights group
Bread and Roses.
As someone who has toured a great deal of the time and had trouble finding suitable dining on the road, Williams was inspired to write and publish a directory of
natural food stores and restaurants called
The Tofu Tollbooth
in 1994.
[5] In 1998 Williams co-authored a second edition with Elizabeth Zipern.
[6]
On
May 4,
2002, she married Michael Robinson, an old friend from college. Their son, Stephen Gray Robinson, was born on
April 24,
2004. She currently resides in
Hudson Highlands,
New York.
Dar Williams on songwriting
Williams wants her music to be an "efficient career," something she can do her entire life. She strives to accomplish this by "continuously court[ing] your
muse; to keep writing stuff that feels risky about things you believe in, that you're really feeling."
Songs
Recurrent themes in Williams's songs include
religion,
adolescence,
gender issues,
anti-commercialism, misunderstood relationships,
loss,
humor, and geography.
Williams' early work spoke clearly of her upbringing in 1970s and 80s
suburbia -- of
alienation, and the
hypocrisy evident in the
post-WWII middle class. On the track "Anthem" on her early tape
All My Heroes Are Dead
, she sang, "I know there's blood in the pavement and we've turned the fields to sand."
Williams' songs often address
gender typing,
roles, and inequities. "You're Aging Well" on
The Honesty Room
discusses adolescent body image,
ageism and
self-loathing in excruciating detail. The song ended with the singer finding an unnamed female mentor who pointed her toward a more enlightened and mature point of view.
Joan Baez covered the song in concert and later duetted with Williams on tours.
[7]
A 2001 article in
The Advocate [8] discussed Williams' popularity among
LGBT people, writing that among LGBT-supportive straight songwriters, "few manage in their lyrics to dig as deeply or as authentically as... Williams does".
"When I Was a Boy", also on
The Honesty Room
, uses Williams' own childhood experiences as a
tomboy to muse on gender roles and how they limit boys and girls, who then become limited men and women.
"The Christians and Pagans" on
Mortal City
simultaneously tackles both
religion and
sexual orientation through a tale of a lesbian/
pagan couple that chooses to spend
solstice with the devout
Christian uncle of one of the women, thus creating a situation where people who would oppose each other on almost every political and cultural front try to get by on pure politeness. Throughout the song, the family members begin to discover their differences need not estrange them from one another.
In an interview in 2007 on the Food Is Not Love
podcast, she said that the song "February" from
Mortal City
was one of her songs that she liked best. She referred to the way the song "kept on evolving into, not only what I wanted to say, but what I wanted to say and didn't even know was in there." She liked the way the song "kept on breaking its own rules in a way that art is all about."
[9]
Williams' relationship with her family is hinted at through several songs, perhaps most notably in "After All" off
The Green World
. The song appears to deal mainly with her depression at the age of twenty-one,
[10] referring to it as a "winter machine that you go through" repeatedly while "everyone else is spring-bound." It also hints at a history of physical abuse suffered by her parents, which
ironically helps to give some closure and perspective to Williams' own personal struggles.
Later work
Williams' recent albums are characterized by more lush arrangements, guest artists, movement away from the
tropes and techniques of folk song-writing, and the wry sensibility of a mature woman looking at her life, rather than a young woman trying to handle her upbringing.
Discography
Albums, EPs
- I Have No History
(1990 - rare demo tape)
- All My Heroes Are Dead
(1991 - rare demo tape)
- The Honesty Room
(1993)
- The Christians and the Pagans
(1996 - EP)
- Mortal City
(1996)
- End of The Summer
(1997)
- What Do You Hear in These Sounds
(1997, single)
- Cry Cry Cry
(1998, with Richard Shindell and Lucy Kaplansky)
- The Green World
(2000)
- Out There Live
(2001)
- The Beauty of the Rain
(2003)
- My Better Self
(2005)
- Live at Bearsville Theater
(2007)
- Promised Land
(2008)
- It's Alright
(EP) (2008)
Contributions
- Women Live from Mountain Stage
(1996) - "When I Was a Boy"
- Lesbian Favorites: Women Like Us
(1997) - "As Cool As I Am"
- Hempilation 2: Free the Weed
(1998) - "Play the Greed"
- Lilith Fair: A Celebration of Women In Music
(1998) - "What Do You Hear In These Sounds"
- Badlands: A Tribute to Bruce Springsteen's Nebraska
(2000) - "Highway Patrolman"
- Providence
Soundtrack (2002) - "What Do You Hear In These Sounds"
- Being Out Rocks
(2002) - "Are You Out There?"
- Born to the Breed: A Tribute to Judy Collins
(2008) - "Holly Ann (The Weaver Song)"
Bibliography
- The Tofu Tollbooth
(1998, co-author)
- Amalee
(May 2004)
- Lights, Camera, Amalee
(July 2006)
Notes
- Infoplease.com [1]
- Dar Williams FAQ
- Tonic on WUKY
- Finding a New Approach
- Find in a Library: Tofu Tollbooth, First Edition
- Find in a Library: Tofu Tollbooth, Second Edition
- Joan Baez and Dar Williams Interviewed by Liane Hansen
- http://darwilliams.net/library/advocate6-11-01.html
- Food Is Not Love podcast
- Dar Williams Interview