Masta Ace
(born Duval Clear
on December 4, 1966) [1] is a rapper from Brooklyn, New York. He appeared on the classic 1988 Juice Crew posse cut "The Symphony". He is noted for his high level of rapping skill [2] [3] [4] and for influencing other MCs, including Eminem. [5]
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MASTA ACE TICKETS
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Biography
1988-1994
Clear graduated from
University of Rhode Island in 1988, after meeting
Marley Marl in 1987 during his summer break.
[6] Ace made his recording debut as Master Ace on the hip hop posse-cut "The Symphony", along with fellow
Juice Crew members
Kyle Harris,
Kool G Rap and
Big Daddy Kane, released on
Marley Marl's
In Control
album. The album also featured two additional Ace tracks, "Keep Your Eyes on the Prize" and "Simon Says". In 1989, he released his first solo single, "Together" b/w "Letter to the Better". His debut album,
Take a Look Around
, was released through Marl's
Cold Chillin' label in 1990, featuring production from Marl and DJ Mister Cee. The album featured two minor hit singles in "Music Man" and "Me & The Biz", the latter being a track with Ace's impersonation of Biz Markie, rather than a duet as previously thought the song would be.
In the early stages of his career, Masta Ace was very energetic (cf. "Jeep Ass Niguh", where, tongue-in-cheek, he taunts police officers for their knee-jerk predisposition to harass black youth on city streets.) He also recorded material with a six-member supporting entourage,
Masta Ace Incorporated. In light of his newly claimed status as a veteran, he has gravitated toward an earnest, matter-of-fact plainspokenness in the new millennium. Many of the songs that have lent newfound heft to his reputation are simple, no-nonsense rumination on feelings and facts of urban American life, including "Soda and Soap" and "Beautiful".
During the years between his debut and his second album, Ace began having bitter feelings toward the commercial state of hip hop music, as well as the prominence of
Gangsta rap, feelings which ruled the content on his second release, 1993's
SlaughtaHouse
, with the loose concept of the album seeing Ace taking the fake "gangsta emcees" to his "SlaughtaHouse". The album featured Ace's new crew,
Masta Ace Incorporated, which included Eyceurokk, Lord Digga, Paula Perry and R&B vocalist Leschea. The singles "SlaughtaHouse", "Saturday Nite Live", "Style Wars" and "Jeep Ass Niguh" were taken from the album. The latter featured an unlisted remix titled "Born to Roll", which became a crossover single in 1994, peaking at #23 on the
Billboard Hot 100 chart.
[7] In the same year, Ace became a member of a temporary crew
Crooklyn Dodgers, formed for the release of
Spike Lee's movie,
Crooklyn
, along with rappers
Special Ed and
Buckshot of
Black Moon, and recorded the title track of the album soundtrack. The song became Ace's second
Hot 100 hit in 1994, peaking at #60 on the chart.
1995-2000
Ace furthered his mainstream appeal in 1995, with his radio-friendly
Sittin' on Chrome
album. This effort was also released with the Masta Ace Incorporated crew, now also known as The I.N.C. The album was Ace's most commercially successful release, breaking into the Top 20 on
Billboard's Top R&B/Hip Hop Albums chart.
Sittin' On Chrome
included "Born to Roll", as well as two other Hot 100 hit singles, "The I.N.C. Ride" and "
Sittin' on Chrome". Following the album's success, Ace had a falling out with I.N.C. members Lord Digga and Paula Perry, leading to the break up of the crew. After the split, Ace was largely missing from the hip hop scene over the next five years, save for a number of random vinyl singles. During his vinyl days, he bounced from a number of labels, releasing his "Cars" single on Tape Kingz Records, his "Yeah Yeah Yeah" and "NFL" singles on the Union Label, his "NY Confidential" single on Replay Records, his "Express Delivery" single on Three Sixty Records, his "Spread It Out/Hellbound" single on Yosumi Records, his "Conflict" single on Mona Records, his "Ghetto Like" single on Fat Beats, his "So Now U A MC" single on Bad Magic Records, and his "Brooklyn Blocks" single on
Buckshot's
Duck Down Records.
2001-present
Ace's "Ghetto Like" single led to a misunderstanding with an underground emcee named Boogieman, who released a somewhat similar single titled "Ghetto Love" not long before. He thought that Ace was "biting" his track and released a diss song toward Ace titled "Just You Wait". Ace responded to Boogieman on the diss track "Acknowledge", which also dissed
The High & Mighty over a misunderstanding. The trading of records led to a rap battle between the two at a
Lyricist Lounge event. "Acknowledge" was also included on "
Disposable Arts
."
Disposable Arts
became one of the most acclaimed underground hip hop releases of 2001, beloved for its pure hip hop style and clever album concept, which served as a fictional story, chronicling Ace's time spent at a satirical rap school named the "Institute of Disposable Arts". JCOR Records folded soon after the release, leaving it out-of-print, until being re-released in 2005 on Ace's self-established M3 label. The album closer, "No Regrets", led many fans to believe that it would be Ace's final album, because of the line
"I don't know if it's the end, but yo, it might be"
. Ace killed the rumors by returning in 2004 with his fifth album
A Long Hot Summer
, another highly acclaimed effort. The story concept, similar to that on his last release, served as a prelude to the story told on
Disposable Arts
, chronicling the "Long Hot Summer" that led to his character's incarceration at the beginning of the
Disposable Arts
album. Rumors once again spread about a retirement, which were again squashed, when Ace announced the formation of his new rap crew named
eMC, including himself, Punchline,
Wordsworth and his protege Strick. Ace remarked in a December 2006 interview that he would no longer record as a solo artist, only with eMC.
[8] eMC's first group album,
The Show
, was scheduled for early 2007 but was released in February 2008 digitally and April 2008 physically. On June 5 2007,
Chinga Chang Records released "Official Joints" with new music from Masta Ace and other NYC rappers.
Legacy
Masta Ace is considered to be a highly skilled and influential MC – music journalist
Peter Shapiro describes him as “one of the great pure New York MCs”
, and
Allmusic describes him as “truly an underappreciated rap veteran and underground luminary”.
[3] Commenting on how Masta Ace is sometimes overlooked despite his skill,
Rolling Stone says, “even the most avid fan of raw hip-hop lyricism can sometimes neglect to mention Masta Ace alongside hard-bitten champs such as
Rakim,
Big Daddy Kane,
Slick Rick and
Kool G. Rap”.
[4] Eminem mentions Masta Ace as one of his influences in his book ‘The Way I Am’, saying, “Masta Ace had amazing storytelling skills – his thoughts were so vivid”.
[5]
Discography
- Take a Look Around
(1990)
- SlaughtaHouse
with Masta Ace Incorporated (1993)
- Sittin' on Chrome
with Masta Ace Incorporated (1995)
- Disposable Arts
(2001)
- A Long Hot Summer
(2004)
- The Show
with eMC (2008)
- Arts & Entertainment
with Edo G (2009)