Natalie Dessay
(born Nathalie Dessaix
, 19 April 1965, in Lyon) is a French coloratura soprano. She dropped the "h" in her first name in honor of Natalie Wood when she was in grade school and subsequently simplified the spelling of her surname outside France.
In her youth, Dessay had intended to be a ballet dancer, and then an actress. [1] She discovered her talent for singing whilst taking acting classes, and shifted her artistic focus to music. [2] Dessay was encouraged to study voice at the Conservatoire national de région de Bordeaux and gained experience as a chorister in Toulouse. At the competition Les Voix Nouvelles
, run by France Télécom, she was awarded First Prize (Premier Prix de Concours) followed by a year's study at Paris Opera's Ecole d'Art Lyrique
, where she sang "Elisa" in Mozart's Il re pastore
. Also, she entered the International Mozart Competition
at the Vienna Staatsoper, winning First Prize.
She was quickly approached by a number of theatres, and subsequently sang "Blondchen", "Madame Herz" (in Der Schauspieldirektor
), "Zerbinetta" and "Zaïde" at the Opéra National de Lyon and the Opéra Bastille, as well as "Adele" in Die Fledermaus
in Geneva.
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Career
In April and May 1992 at the
Opéra Bastille, she sang the role of "Olympia" in
The Tales of Hoffmann
with José van Dam. The
Roman Polanski production was not well received, but it began the road to stardom for Dessay. Although she was soon featured in another production of
Hoffmann
, it would be over ten years before her return to Paris Opera in the same role. Soon after her
Hoffmann
run, Dessay joined the
Vienna State Opera as Blondchen in
The Abduction From The Seraglio
by
W. A. Mozart. In December 1993, she was then asked to replace Cheryl Studer in one of the three female roles in a production of
Hoffmann
at the Vienna Opera. Her "Olympia" received acclaim from the Vienna audiences and praise from
Plácido Domingo.
She attended a performance where
Barbara Bonney had sung Sophie in
Richard Strauss'
Der Rosenkavalier
under
Carlos Kleiber. Dessay was cast in the same role with another conductor. Her hope was to work with Maestro Kleiber, but he died before any project came to fruition. Blondchen in
Die Entführung
and Zerbinetta in
Ariadne auf Naxos
became her best-known and most often played roles.
In October 1994 Dessay made her
Metropolitan Opera debut in
New York in the role of Fiakermilli in Strauss's
Arabella
, and returned there in September 1997 as Zerbinetta and in February 1998 as Olympia.
The Staatsoper approached Dessay with two operas:
Richard Strauss's
Die schweigsame Frau
and an unfinished opera by
Alban Berg,
Lulu
. Dessay declined the latter, saying the score was too difficult for her. She admitted that
Die schweigsame Frau
was already painful to learn.
At the festival of
Aix-en-Provence, Dessay first performed the role of the Queen of the Night in
Mozart's
The Magic Flute
. Although she was hesitant to perform the role, saying that she didn't want to play any evil characters, director
Robert Carsen convinced her that this Queen would be different, almost a sister to Pamina. Dessay agreed to do the role, claiming it would be a one-time series of performances. There followed a year-long series of final performances of the Queen of the Night.
During the 2001–2002 season in Vienna, she began to experience vocal difficulties and had to be replaced in almost all of the performances of
La sonnambula
. Subsequently, she was forced to cancel several other performances, including a French version of
Lucia
in Lyon and a Zerbinetta at the
Royal Opera House in London. She withdrew from the stage and underwent surgery on one of her vocal cords in July 2002.
[3] In February 2003, she returned to live performances in a Paris concert. Later, she cancelled and had further surgery, but by mid-2005 she was back on stage.
In the summer of 2003, Dessay gave her first US recital in
Santa Fe. She was so attracted to
New Mexico in general, and to Santa Fe in particular, that
Santa Fe Opera (SFO) quickly rearranged its schedule to feature her in SFO's 2004 production of
La sonnambula
.
[4] [5] She returned in the 2006 SFO season as Pamina (
The Magic Flute
). She gave her first performances in the role of Violetta in
La traviata
at SFO on 3 July 2009 in a production staged by
Laurent Pelly. Her husband,
Laurent Naouri appeared as Germont.
[6]
The 2006/2007 season schedule included
Lucia di Lammermoor
and
La sonnambula
in Paris,
La fille du régiment
directed by
Laurent Pelly in London and Vienna, and a
Manon
in
Barcelona. She opened the 2007–08 season at the Met as Lucia and also repeated her role in
La fille du regiment
.
[7] In January 2009 she sang the part of Melisande in a much acclaimed
stagione production of
Pelleas et Melisande
by
Claude Debussy at "Theater an der Wien", the second opera house in Vienna, alongside Laurent Naouri. On 2 March 2009, Dessay sang the title role in
La Sonnambula
at the New York
Metropolitan Opera. It was the first new production of the opera at the Met since
Joan Sutherland sang the title role in the 1960s.
[8]
In other media, Dessay provided the singing voice for the character of Anna Sörensen (played by
Diane Kruger) in the movie
Joyeux Noël
(2005).
Dessay is married to the
bass-baritone Laurent Naouri, and they have two children.
Recordings
- DVD: "The Miracle of the Voice - Greatest Moments on Stage".
- DVD: Le Rossignol
(Stravinsky)
- DVD: La fille du régiment
(Donizetti)
- DVD: Hamlet
(Thomas)
- DVD: Manon
(Massenet)
- DVD: Les Contes d'Hoffman
(Offenbach)
- DVD: Orphée aux Enfers
(Offenbach)
- DVD: Arabella
(Strauss)
- La Sonnambula
(Bellini)
- Die Zauberflöte
(Mozart)
- Lucie de Lammermoor
(Donizetti)
- Orphée aux Enfers
(Offenbach)
- Les Contes d'Hoffman
(Offenbach)
- Mass in C Minor
(Mozart)
- Lakme
(Delibes)
- Mitridate
(Mozart)
- Alcina
(Handel)
- L'Orfeo
(Monteverdi)
- Vocalise
(Rachmaninov)
- Il Trionfo del Tempo e del disinganno
(Handel)
- Magnificat
(Bach) and Dixit Dominus
(Handel)
- The Miracle of the Voice
- Delirio- Cantatas
(Handel)
- Joyeux Noel
(Voice-over work for soundtrack)
- Mozart Heroines
- French Opera Arias
- Amor: Scenes and Lieder
(R. Strauss)
- Bach: Cantates
(Bach)
References
- Natalie Dessay: Comedienne dell’arte
- A wicked witch who made us laugh and cry
- Saying Goodbye to the Magic Flutes
- Phillip Huscher, ''The Santa Fe Opera: An American Pioneer'', Santa Fe Opera, 2006, p. 148.
- A Change in Santa Fe Opera in More Ways Than One
- Santa Fe Opera's web site listing the 2009 season
- Met's 2007/08 season announced, ''New York Times'', 27 February 2007
- Dessay, Natalie (Soprano), Metropolitan Opera Database. Accessed 1 April 2009.