Sigue Sigue Sputnik
are a British new wave band led by former Generation X bassist Tony James. The band achieved moderate fame in 1986, when they achieved 3 UK top 40 hits including the song "Love Missile F1-11", which hit the pop charts around the world, helped by its use in the cult-hit movie Ferris Bueller's Day Off
.
The themes and imagery in the band's songs were often influenced by futuristic, dystopian or post-apocalyptic films such as A Clockwork Orange
, The Terminator
, Blade Runner
and the Mad Max
trilogy. The band's music and image also mashed together a range of other pop culture influences, including the electronica/Krautrock influences of Kraftwerk, Marc Bolan's T-Rex, and the swagger and sex appeal of Eddie Cochran, Elvis Presley and glam rock.
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SIGUE SIGUE SPUTNIK TICKETS
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1980s: Early years
The original line-up featured
Tony James,
Martin Degville,
Neal X (Whitmore),
Chris Kavanagh,
Ray Mayhew and Yana Yaya. Tony James's friend
Mick Jones, a former member of
The Clash, gave James advice about starting the band and selecting musicians. While searching for members, in 1983 Tony James tried out
Andrew Eldritch from
The Sisters of Mercy and, on Mick Jones' suggestion, auditioned
Annie Lennox. As well, Jones gave James a
Roland G-707 synth guitar, which at the time was a new device. The futuristic, electronic sounds of the synth guitar helped James to create Sputnik's new wave-cyberpunk sound.
The band took its name from a Moscow street gang called Sigue Sigue Sputnik, which means "Burn, burn, satellite." Their outlandish appearance and image, which included towering, multicoloured
mohawk hairstyles, wigs, makeup, and
gender-bending fetish clothing (plastic, rubber, or leather outfits, fishnet stockings, and
stiletto heels) garnered a great deal of attention from the media. While these styles have since been used by a number of gothic or glam bands, in the mid-1980s, Sigue Sigue band members' appearance was unique and startling.
The "packaging" of the band's appearance and presentation was carefully considered well before the band ever performed in public. Inspired by the
Sex Pistols manager
Malcolm McLaren's unorthodox methods of promoting a band, Tony James generated a great deal of
hype about Sigue Sigue Sputnik, while not allowing anyone from the music industry a chance to hear the band. Tony James famously showed record executives a short video collage of futuristic and science-fiction movie clips as a "demo tape" of the band. The buzz became a frenzy as several record labels began a bidding war to sign Sigue Sigue Sputnik. Tony James finally settled on
EMI which was rumoured to have given the band a substantial advance (£4 million).
Mid-1980s: Singles and albums
In a flurry of publicity, Sigue Sigue released their first single, "
Love Missile F1-11". It climbed to number three in the
British charts and hit the charts in a number of other countries. The single, as well as the album that followed, was produced by
Giorgio Moroder.
The band underlined their cynical attitude towards the music business (expressed by the slogan "fleece the world") by auctioning advertising space between the tracks on their first album
Flaunt It
(released in 1986). Advertisements that did sell (including spots for
i-D Magazine
and Studio Line from
L'Oréal) were complemented by ironic spoof ads including one for the Sputnik corporation itself claiming that "Pleasure is our Business".
James's claims to the media that the group members were selected solely on image and appearance, coupled with the group's use of computers and synthesizers in the studio, led critics to claim that the band mimed their live performances over pre-recorded music. However, live concert footage shows that the band does appear to be playing their instruments. Live concerts were routinely cancelled and indeed part of an entire UK tour. Allegedly this was because of violence at gigs. Rumours persisted that (1) this violence was planned, orchestrated and blown out of proportion to maintain a high media profile, (2) "because of violence" was a cover to obscure that cancellations were due to very low ticket sales, or (3) that the novelty of being on the road rapidly dwindled with having to participate in the tiring "sharing amongst fellow bandmembers" for which touring is notoriously known; especially for a 6-10 member band (including the "Ultra Vixens") who had not been together long and had no strong artistic bonds. Moreover, Tony James later mentioned he regarded touring as "a waste of money".
Sigue Sigue Sputnik lyrics combined futuristic imagery ("Cryin' on our knees as the network screams", "Saturn dreams, laser beams" and "space cowboy") with camp, erotic, references to fetishized violence and
B-movie imagery. Songs referred to a "love rocket red", "21st century sex machines", "Atom age wonder", "easy action Frankenstein", "Chinese-speaking strip TVs" and a "freako psycho horror show". This line could also be read as "freako psycho
horrorshow", a reference to
A Clockwork Orange
. They also created images such as "hips and lips and beauty queens", and "venus ramp, sexy tramp...vegas vamp". "Love Missile F1-11"'s lyrics pushed the boundaries of parental tolerance and gained media attention with repeated double-entendre entreaties to "Shoot it up, Shoot it up, Shoot it up".
The group split soon after the release of their second album,
Dress for Excess
(the initial single from which, "Success", was produced by British hitmakers
Stock, Aitken and Waterman). Tony James stated that the band "...couldn't sustain this pretend bastardized version of Sputnik". James also blamed the media for the band's downfall. When Sputnik's first singles were released, the media and James's promotional efforts worked symbiotically, sharing the benefits of the band's hype and shock value. Once the initial shock and tabloid outrage over the band's unusual image and appearance had worn off, media coverage became dismissive, criticizing the band's focus on image and style.
1990s and 2000s
Tony James went on to become a member of
The Sisters of Mercy in 1989–1991. Chris Kavanagh went on to
Big Audio Dynamite II joining Mick Jones.
Ray Mayhew formed
Mayhem Deranged. Tony James reformed Sigue Sigue Sputnik twice, albeit without all the original members. The band was reformed once in the 1990s (featuring
Tomoyasu Hotei on guitar and Christopher Novak singing) releasing
Sputnik: Next Generation
and once again in 2001 with Martin Degville and Neal X, which resulted in the release of
Piratespace
. The reformed Sigue Sigue Sputnik continues to play live, and it has also produced a number of
remixes of other artists' work. In 2004, Martin Degville left the band to pursue a solo career (see Sputnik2 link below). Neal X has been playing with
Marc Almond
In 2005 Tony James teamed up with Mick Jones to form the group
Carbon/Silicon.
In 2004 Martin Degville formed Sputnik2 or
Sputnik2 The Future
, a solo act with collaborations with other artists and stage shows across Europe.
Martin Degville releases
CD-R's and
DVD-R's selling them via his website. He is now gigging again as Sci-fi Superstars.
Tony James and Neal X have produced the 2009 album
Absolutamente
by Spanish pop duo Fangoria.
The song "Love Missile F1-11" was featured in the 2002
videogame,
Grand Theft Auto: Vice City
, as part of the
New wave radio station
Wave 103.
Members
- Tony James - synth 'space' bass guitar (Roland G707). (Now rhythm guitarist with Carbon/Silicon)
- Martin Degville - vocals (no longer with band, now solo artist)
- Neal X - Gibson semi-acoustic lead 'Stun' guitar (now lead vocalist with SSS & guitarist/producer for Marc Almond)
- Ray Mayhew - electro drums (Simmons)
- Chris Kavanagh - electro drums (Simmons)
- Yana YaYa (Jane Farrimond) - Space Echo (Roland). Since stylist for bands including pop act '5ive'.
Discography
Albums
- 1986 Flaunt It
- UK #10
- 1988 Dress for Excess
- UK #53
- 1990 The First Generation
- 1997 The First Generation - Second Edition
- 1998 The Ultimate 12" Collection
- 1999 Flaunt It + Dress for Excess
- French single CD edition of both albums (minus 'Success' and 'Dancerama').
- 2000 Sci-Fi Sex Stars
- 2001 Pirate Space
- 2001 21st Century Boys: The Best of Sigue Sigue Sputnik
- 2002 Blak Elvis vs. The Kings of Electronic Rock and Roll
- 2003 Ultra Real
- 2003 The First Generation - Vid Edition
[1]
Singles
- 1986 "Love Missile F1-11" (UK sleeve) - UK #3
- 1986 "Love Missile F1-11" (U.S. sleeve)
- 1986 "Love Missile F1-11" (German sleeve)
- 1986 "Love Missile F1-11" (Japanese sleeve)
- 1986 "Love Missile F1-11" (Russian sleeve)
- 1986 "Love Missile F1-11" (The Bangkok Remix)
- 1986 "21st Century Boy" - UK #20
- 1986 "21st Century Boy" (German Remix)
- 1986 "Massive Retaliation"
- 1986 "Sex Bomb Boogie"
- 1986 "Sci-Fi Sex Stars"
- 1988 "Success" - UK #31
- 1988 "Success" (Acid Mixes)
- 1988 "Success" (Pete Waterman Cover)
- 1989 "Albinoni vs. Star Wars" - UK #75
- 1989 "Dancerama" - UK #50
- 1989 "Dancerama" (Remixes)
- 1989 "Dancerama" (Picture Disc)
- 1989 "Rio Rocks"
- 1989 "Rio Rocks" (Samba Remixes)
- 2001 "Love Missile F1-11" (Westbam Remix)
- 2002 "Everybody Loves You"
- 2004 "Grooving With Mr. Pervert"
Other Album Appearances
- 2001 A Gothic-Industrial Tribute to The Smashing Pumpkins
Videography
Videos
- 1986 Love Missile F1-11
- 1986 21st Century Boy
- 1986 Sex Bomb Boogie
- 1988 Success
- 1988 Dancerama
- 1988 Albinoni vs Star Wars
- 1988 Rio Rocks
- 2003 Live in Tokyo
References
- British Hit Singles & Albums