Josef Erich Zawinul
(July 7, 1932 – September 11, 2007) [1] was an Austrian jazz keyboardist and composer.
First coming to prominence with saxophonist Cannonball Adderley, Zawinul went on to play with trumpeter Miles Davis, and to become one of the creators of jazz fusion, an innovative musical genre that combined jazz with elements of rock and world music. Later, Zawinul co-founded the groups Weather Report and the world fusion music oriented Zawinul Syndicate. Additionally, he made pioneering use of electric piano and synthesizers. Zawinul won the "Best Keyboardist" award 30 times from American jazz magazine Down Beat's critics' poll. [2]
Several artists have honored Zawinul with songs, notably Brian Eno's instrumental "Zawinul/Lava", John McLaughlin's instrumental "Jozy", Warren Cuccurullo's "Hey Zawinul", Bob Baldwin's "Joe Zawinul", and Biréli Lagrène's instrumental "Josef". Zawinul's playing style is often dominated by quirky melodic improvisations —both bebop, ethnic and pop sounding— combined with sparse but rhythmic playing of big-band sounding chords or bass lines. In Weather Report, he often employed a vocoder as well as pre-recorded sounds played (i.e filtered and transposed) through a synthesizer, creating a very distinctive, often beautiful, synthesis of jazz harmonics and "noise" ("using all the sounds the world generates"). Many considered Zawinul as the "best" synthesizer player "in jazz", frequently employing several keyboards with live settings of his bands.
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THE JOE ZAWINUL SYNDICATE TICKETS
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Biography
Early life and career
Zawinul was born and grew up in
Landstraße, in
Vienna, Austria, where he went to school with the late former Austrian Federal President
Thomas Klestil. His grandmother was a
Sinti ("Gypsy").
Classically trained at the
Konservatorium Wien, Zawinul played in various broadcasting and studio bands before emigrating to the U.S. in 1959 on a music scholarship at
Berklee School of Music, in Boston.
He went on to play with trumpeter
Maynard Ferguson, where he first met Wayne Shorter after Zawinul had an influence in hiring him. Shorter left soon thereafter to play in Art Blakey's group and Josef was apparently dismissed from the Ferguson band for wanting to have too much control over personnel decisions. Zawinul then toured and recorded with singer
Dinah Washington for two years.
With Cannonball Adderley
In 1961, Zawinul joined the Quintet led by saxophonist
Cannonball Adderley.
During his nine-year stint with Adderley, Zawinul wrote the hit song "Mercy, Mercy, Mercy." He also composed "Walk Tall" and "Country Preacher," the latter a tribute to
U.S. Civil Rights Movement leader
Jesse Jackson. In this title cut to the quintet's popular 1969 album,
Country Preacher
,
Austrian-born Zawinul demonstrated a sophisticated and intimate understanding of the
African/
Black concept of
cool, of motion and interval. When "Country Preacher" debuted at a live recording session in
Chicago at Jackson's
Operation Breadbasket, it elicited enthusiastic cheers of immediate recognition from the mostly Black audience.
thumb, 2007
With Miles Davis
In the late 1960s, Zawinul recorded with
Miles Davis's studio band and helped create the sound of
jazz fusion. He played on the album
In a Silent Way
, the title track of which he composed, and the landmark album
Bitches Brew
, for which he contributed the twenty-minute track, "Pharaoh's Dance", which occupied the whole of side one.
Zawinul is known to have played live with Davis only once, on July 10, 1991, in Paris, along with
Wayne Shorter, shortly before Davis' death.
Zawinul, along with other Davis sidemen
Chick Corea and
Herbie Hancock, was one of the first to use
electric pianos and early synthesizers like the
ARP 2600 in 1973's
Sweetnighter
. He was among the first to use an electric piano, the Wurlitzer. He used the
Fender-Rhodes thereafter, adding a Wah-Wah pedal and later the Mutron effect unit for a complex phased timbre. His creativity and attention to detail resulted in a very contemporary and modern sound. He also has played the
kalimba on
Weather Report's
Mysterious Traveller
and
Mr. Gone
.
With Weather Report
In 1970, Zawinul co-founded
Weather Report with saxophonist and Davis alumnus
Wayne Shorter. Their first two years emphasized a relatively open, group improvisation format not dissimilar to what Miles Davis was doing in a more rock oriented format. However, Josef started making changes with their third album,
Sweetnighter
, citing he was "tired of waiting for something to happen". Funk elements such as electric bass, wah-wah pedal, etc. started to be introduced in the band's sound. Music critics generally agree that their 4th album,
Mysterious Traveller
, was their true breakthrough album, capturing the classic Weather Report "sound" for the first time. The musical forms were now through composed similar to classical music, and the combination of jazz harmonies with 70's groove elements launched the band into its most successful period.
Their biggest commercial success came from his composition "
Birdland", a 6-minute opus featured on Weather Report's 1977 album
Heavy Weather
, which peaked at number 30 on the
Billboard pop albums chart. "Birdland" is one of the most recognizable jazz pieces of the 1970s, covered by many prominent artists from
The Manhattan Transfer and
Quincy Jones to
Maynard Ferguson, the Buddy Rich Big Band, and
Jefferson Starship. Even Weather Report's version received significant mainstream radio airplay — unusual for them — and served to convert many new fans to music which they may never have heard otherwise. The song won him three
Grammys.
Weather Report was active until the mid 80s, with Zawinul and Shorter remaining the sole constant members through multiple personnel shifts. The group was notable for bringing to prominence pioneering fretless bass guitarist
Jaco Pastorius, but also other musicians, such as
Alphonso Johnson and
Peter Erskine. Shorter and Zawinul had already gone separate ways, after the recording of their "final"
Sportin' Life
, when it was discovered that they had to do one more album in order to fulfill the CBS contract.
This Is This!
therefore became their final album. Shorter participated despite being busy leading his own group, and Peter Erskine was also brought in again for this record, ending up playing on most compositions.
Stories of the Danube
Zawinul also wrote a
Symphony, called
Stories of the Danube
, which was commissioned by the Brucknerhaus, at
Linz. It was first performed as part of the
Linzer Donauklangwolke
(a large-scale open-air broadcast event), for the opening of the 1993
Bruckner Festival. In its seven movements, the symphony traces the course of the
Danube from
Donaueschingen through various countries ending at the
Black Sea. It was recorded in 1995 by the Czech State Philharmonic Orchestra, Brno, conducted by Caspar Richter.
Death
Zawinul was hospitalized in his native Vienna on August 7, 2007,
[3] only five weeks after concluding a European tour. He died from a rare form of
skin cancer (
Merkel Cell Carcinoma) on September 11, 2007.
[4] [5] He is buried in the
Zentralfriedhof Cemetery in Vienna.
Discography
As Joe Zawinul
- To You with Love
(Strand, 1958)
- Money in the Pocket
(Atlantic, 1966)
- The Rise and Fall of the Third Stream
(Vortex, 1968)
- Zawinul
(Atlantic, 1971)
- Di-a-lects
(Columbia, 1986)
- My People
(ESC-Records, 1996)
- Stories of the Danube
(Polygram, 1996)
- Mauthausen - Vom großen Sterben hören
(ESC-Records, 2000) [3]
- Faces & Places
(ESC-Records, 2002)
- Brown Street
(2006)
- Music for Two Pianos
mit Friedrich Gulda: Brahms' Variationen über ein Thema von Haydn
/ WDR Big Band Köln (Capriccio, 2006)
As contributor
- Amen
by Salif Keita (Mango, 1991)
- He also collaborated with Moroccan Gnawa musician Hamid El Kasri.
With Dinah Washington
- What a Diff'rence a Day Makes!
(Mercury, 1960)
- Dinah Washington & Brook Benton – Two of Us
(Mercury, 1960)
With Cannonball Adderley
- Nancy Wilson and Cannonball Adderley
(Capitol, 1961)
- In New York
(Riverside, 1962)
- In Europe
(Landmark, 1962)
- Jazz Workshop Revisited
(Riverside, 1963)
- Nippon Soul
(Riverside, 1963)
- Live!
(Capitol, 1964)
- Fiddler on the Roof
(Capitol, 1964)
- Domination
(Capitol, 1965)
- Mercy, Mercy, Mercy! Live at 'The Club'
(Capitol, 1966)
- 74 Miles Away/Walk Tall
(Capitol, 1967)
- Why Am I Treated So Bad!
(Capitol, 1967)
- Accent on Africa
(Capitol, 1968)
- Country Preacher
(Capitol, 1969)
- In Person
(Capitol, 1970)
- The Price You Got to Pay to Be Free
(Capitol, 1970)
- Experience in E, Tensity, Dialogues
(Capitol, 1970)
With Miles Davis
- In a Silent Way
(Columbia, 1969)
- Big Fun
(Columbia, 1969)
- Bitches Brew
(Columbia, 1970)
- Live-Evil
(Columbia, 1971)
- Circle in the Round
(Columbia)
With Weather Report
- Weather Report
(Columbia, 1971)
- I Sing the Body Electric
(Columbia, 1972)
- Live in Tokyo
(Columbia, 1972)
- Sweetnighter
(Columbia, 1973)
- Mysterious Traveller
(1974)
- Tale Spinnin'
(1975)
- Black Market
(1976)
- Heavy Weather
(1977)
- Mr. Gone
(1978)
- 8:30
(1979)
- Night Passage
(1980)
- Weather Report
(1982)
- Procession
(1983)
- Domino Theory
(1984)
- Sportin' Life
(1985)
- This Is This!
(1986)
- Live and Unreleased
(2002)
- Forecast: Tomorrow
(2006)
With The Zawinul Syndicate
- The Immigrants
(Columbia, 1988)
- Black Water
(Columbia, 1989)
- Lost Tribes
(Columbia, 1992)
- World Tour
(ESC, 1997)
- Joe Zawinul & The Zawinul Syndicate – Vienna Nights – Live at Joe Zawinul's Birdland
(BirdJAM 2005)
- 75th
(BirdJAM, 2008)
References
- allmusic Biography
- Jazz keyboard legend dies at 75, by Boris Groendahl, 11.09.2007
- Zawinul Online » Blog Archive » Joe Zawinul Hospitalized in Vienna
- Keyboardist Joe Zawinul Dies
- Joe Zawinul, 75; Keyboardist Was a Pioneer of Jazz Fusion (washingtonpost.com)