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The Manhattan Transfer
is an American vocal music group. There have been two manifestations of the group, with Tim Hauser being the only person to be part of both. The team’s name comes from John Dos Passos’ 1925 novel Manhattan Transfer
and references their New York origins.
The first manifestation of the team was established during 1969 in New York city, with Tim Hauser, Erin Dickens, Marty Nelson, Gene Pistilli, and Pat Rosalia. The team contracted with Capitol Records, recorded several tracks, and during 1971 issued the album, Jukin'
: it was this team's only album. The album was later reissued in the UK by EMI's Music for Pleasure under the title The Manhattan Transfer and Gene Pistilli
[1] [2] Pistilli had been best known for his performing and songwriting collaborations with Terry Cashman and Tommy West. This team endured only until 1971. According to Tim Hauser, "Gene and I were in two different places. He was more into country & western, R&B, and the Memphis sound, and by then I'd become more interested in jazz and swing..." [3]
The remainder of this article concerns the second team.
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THE MANHATTAN TRANSFER TICKETS
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History
Founding
The current group (still together as of 2009) was founded during 1972 by
Tim Hauser and singers
Alan Paul,
Janis Siegel, and
Laurel Massé. Performances at
Max's Kansas City, Trude Heller’s and Reno Sweeney in
New York City soon developed for them a cult fan base, and it was at the latter venue that
Ahmet Ertegün, founder and chairman of
Atlantic Records, saw them and offered a recording contract which resulted in the release, during 1975, of this team's first album,
The Manhattan Transfer
. The album included the group’s first successful single, the
gospel tune "Operator".
International success
The group soon did very well in Europe, where the next two albums,
Coming Out
and
Pastiche
, brought a string of top 10 successes. One was a revival of Wayne Shanklin's "
Chanson D'Amour", which rated number one in the UK in 1977 but failed to chart in the US. These successes were followed by a live-recorded album,
The Manhattan Transfer Live
, recorded in the UK. Soon after that album was recorded, during 1978, Laurel Massé was injured badly by an auto accident and was replaced by
Cheryl Bentyne. The team has remained the same since then.
Their next recording,
Extensions
, earned The Manhattan Transfer their second US popular music success: "Twilight Zone/Twilight Tone", written by
Alan Paul and
Jay Graydon as a tribute to the 1960s’ CBS television
series created by
Rod Serling.
[4]
In the UK the group is also known for its guest appearances on
The Two Ronnies
.
Journey into jazz
Extensions
featured a cover of
Weather Report's "
Birdland", with lyrics by
Jon Hendricks, the piece that has become The Manhattan Transfer's signature tune. One of the most popular jazz recordings of 1980, "Birdland" brought The Transfer its first
Grammy award (Best Jazz Fusion Performance, Vocal or Instrumental), and the award for Best Arrangement For Voices.
During 1981, The Manhattan Transfer made music history by becoming the first group to win Grammy awards for both popular and jazz categories in the same year. "Boy from New York City" (a cover of the 1965 success by
The Ad Libs), which scored in the top 10 on the popular charts, won them the award for Best Pop Performance by a Duo or Group with Vocal, and "Until I Met You (Corner Pocket)" earned them a Grammy for Best Jazz Performance, Duo or Group. Both of these songs appeared on the group's fifth album,
Mecca for Moderns
.
During 1982, the group won another Grammy, for Best Jazz Vocal Performance, Duo or Group, for its rendition of the classic ode-to-the-road, "
Route 66". The song was on the soundtrack to the
Burt Reynolds film
Sharky's Machine
.
Stretching out
During September 1983 the team produced the album
Bodies and Souls,
with an urban-contemporary style which resulted in two R&B-chart singles — the #2 "Spice of Life" (also #40 on the pop chart) and the ballad "Mystery" (#80 R&B, #102 Pop). Despite its disappointing chart performance, "Mystery" — with powerful lead vocals by Siegel — has become one of the group's best-loved songs. Hauser has called it the group's biggest turntable (radio airplay) success.
Anita Baker covered it on her "breakout" album,
Rapture.
The Manhattan Transfer's next set,
Vocalese
(1985) was a great critical success.
Vocalese
received twelve Grammy nominations — at the time making it second only to
Michael Jackson's
Thriller
as the most nominated single album ever. The Transfer won in two categories: Best Jazz Vocal Performance, Duo or Group, and Best Arrangement for Voices. This was followed by a live recording of many of these songs titled
Live
. This concert was also released on VHS and DVD.
For
Brasil
, the group headed south to work with
Brazilian songwriters and musicians
Ivan Lins,
Milton Nascimento,
Djavan and
Gilberto Gil.
Brasil
won a Grammy for Best Pop Performance by a Duo or Group with Vocal.
During 1991 the group released
The Offbeat of Avenues
with the
Sony label featuring original tunes written or co-written by members of the quartet. Their efforts brought them their 10th Grammy award, for "Sassy." This was followed by the release of their holiday CD titled
The Christmas Album
.
Switching back to the Atlantic company as their distributor, they recorded
Tonin'
(a collection of R&B and popular successes from the 1960s which was rather unsuccessful),
The Manhattan Transfer Meets Tubby the Tuba
(a children's album),
Man-Tora! Live in Tokyo
(a concert recorded in 1986 in Japan), and their 1997 album
Swing
covered 1930s-era swing music. Their final album for the Atlantic company was
The Spirit of St. Louis
(2000), dedicated to the music of
Louis Armstrong.
The group was inducted into the
Vocal Group Hall of Fame in 1998.
By that time, it had become known for mixing
jazz,
big band, and
popular music styles.
Recent activity
The group changed to the Telarc Label in 2003 to release
Couldn't Be Hotter
, a live performance capturing many of the songs from
The Spirit of St. Louis
.
In 2004, the group released
Vibrate
. This is another one of their “pastiche” CDs, blending original tunes with older ones, pop, jazz, funk, etc. Vibrate featured such notable musicians as bassist
Will Lee, and renown time keeper
Steve Hass on drums.
They also released (in Japan originally and shortly later in the US)
An Acapella Christmas
in 2005.
During 2006 the team releases
The Symphony Sessions
, a collection of the group's successes re-arranged for symphonies and popular orchestras, and
The Definitive Pop Collection
, a two-disc collection of the group's tunes which would cause one to believe they were only from the group's popular music repertoire. Instead, it's a hodge-podge of the group's songs distributed by their contracts with the Atlantic company.
During late 2006, the Transfer's second concert DVD was released: The Christmas Concert, and was broadcasted by PBS in select locations.
During 2006, they recorded their first original title song for a movie, "Trail of the Screaming Forehead."
They are currently working on a new CD in collaboration with Chick Correa, due to be released in September 2009.
Current Manhattan Transfer tour line-up
The Manhattan Transfer:
Janis Siegel
Tim Hauser
Alan Paul
Cheryl Bentyne
The Manhattan Transfer Band:
Yaron Gershovsky - Musical Director, Keyboards, and Piano
Steve Hass - Drums and Percussion
Adam Hawley - Guitar
Gary Wicks - Bass
Discography
Albums
Album
| Date Released
| Charts
|
The Manhattan Transfer
| (1975)
| US #33, UK #49 (1977 release)
|
Coming Out
| (1976)
| US #48, UK #12
|
Pastiche
| (1978)
| US #66, UK #10
|
The Manhattan Transfer Live
| (1978)
| UK #4
|
The Manhattan Transfer Live
| (1981)
| UK #4
|
Extensions
| (1979)
| US #55, UK #63
|
Mecca for Moderns
| (1981)
| US #22
|
The Best of the Manhattan Transfer
| (1981)
| US #103
|
Bodies and Souls
| (1983)
| US #57, UK #53
|
Bop Doo-Wopp
| (1985)
| US #127
|
Vocalese
| (1985)
| US #74
|
''Man-Tora! Live In Tokyo'
| (1987)
| US #187
|
Brasil
| (1987)
| US #98
|
The Offbeat of Avenues
| (1991)
| US #179
|
The Christmas Album
| (1992)
| US #120
|
Anthology: Down In Birdland
| (1992)
|
|
The Very Best of the Manhattan Transfer
| (1994)
| US #157
|
The Manhattan Transfer Meets Tubby the Tuba
| (1994)
|
|
Tonin'
| (1995)
| US #123
|
Swing
| (1997)
|
|
Boy From New York City And Other Hits
| (1997)
|
|
The Spirit of St. Louis
| (2000)
|
|
Couldn't Be Hotter
| (2003)
|
|
Vibrate
| (2004)
|
|
An Acapella Christmas
| (2005)
|
|
The Symphony Sessions
| (2006)
|
|
The Definitive Pop Collection
| (2006)
|
|
[5]
Other albums
- Jukin'
(1971)
- Something Cool
(1992) (Cheryl Bentyne solo album)
Hit singles
Year
| Song
| US Hot 100
| U.S. AC
| UK Singles Chart
| Canada
|
1975
| "Operator"
| 22
| 34
| -
| 26
|
1976
| "Tuxedo Junction"
| -
| -
| 24
|
1977
| "Chanson D'Amour"
| -
| 16
| 1
|
1977
| "Don't Let Go"
| -
| -
| 32
|
1978
| "Walk In Love"
| -
| -
| 12
|
1978
| "On a Little Street in Singapore"
| -
| -
| 20
|
1978
| "Where Did Our Love Go/Je Voulais Te Dire (Que Je T'Attends)"
| -
| -
| 40
|
1979
| "Who What Where When Why"
| -
| -
| 49
|
1980
| "Twilight Zone/Twilight Tone"
| 30
| -
| 25
|
1980
| "Trickle Trickle"
| 73
| -
| -
|
1981
| "The Boy from New York City"
| 7
| 4
| -
| 8
|
1981
| "Smile Again (Dedicated to Angela from Alan)"
| -
| 41
| -
|
1982
| "Route 66"
| 78
| 22
| -
|
1983
| "Spice of Life"
| 40
| 5
| 19
|
1984
| "Mystery"
| 102
| 6
| -
|
1984
| "Baby Come Back to Me (The Morse Code of Love)"
| 83
| 14
| -
|
1987
| "Soul Food to Go (Sina)"
| -
| 25
| -
|
1995
| "Too Busy Thinking About My Baby" (with Phil Collins)
| -
| 27
| -
|
Guest/soundtrack appearances
- A League of Their Own
OST (1992): "Choo Choo Ch'Boogie" and "On the Sunny Side of the Street"
- Home Improvement
(1992): Sing "Santa Claus Is Coming To Town" and "It Came Upon The Midnight Clear" as part of a Tool Time Christmas special ("I'm Scheming Of A White Christmas", Season 2).
- Swing Kids (film)
OST 1993 "Bei Mir Bist Du Shoen" was sung by Janis Siegel
In 2003, "Operator" was featured in the opening scenes of the film
Phone Booth
starring
Colin Farrell.
References
- All Music Guide entry
- Rate your music
- Manhattan Transfer fan club site
- The introduction of the song is incorrectly attributed in the liner notes to Bernard Herrmann, who wrote the theme for Season One of ''The Twilight Zone'' only. The more famous ''Twilight Zone'' theme that is used in the Manhattan Transfer song was composed by Marius Constant.
- British Hit Singles & Albums