12 Angry Men
is a 1957 American drama film adapted from a play. Directed by Sidney Lumet, the film tells the story of a jury made up of 12 men as they deliberate the guilt or innocence of a defendant on the basis of reasonable doubt. The film is notable for its almost exclusive use of one set: with the exception of two short scenes at the beginning and the end of the film set on the steps of the court building and two short scenes in an adjoining washroom, the entire movie takes place in the jury room.
Apart from two of the jurors swapping names while leaving the courthouse, no names are used in the film: the defendant is referred to as "the boy" and the witnesses as the "old man" and "the lady across the street".
In 2007, 12 Angry Men
was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
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12 ANGRY MEN TICKETS
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Plot
The story begins after
closing arguments have been presented in a murder case, as the
judge is giving his instructions to the
jury. According to American law in most states (both then and now), the
verdict (whether guilty or not guilty) must be
unanimous. A non-unanimous verdict results in a
hung jury, which in turn forces a
retrial. The question they are deciding is whether the defendant, a young teenage boy from a city slum, murdered his father. The jury is further instructed that a guilty verdict will be accompanied by a mandatory
death sentence—the
electric chair. The jury of twelve move to the jury room, where they begin to become acquainted with each others' personalities and discuss the case.
The plot of the film revolves around their difficulty in reaching a unanimous verdict, mainly due to the jurors' personal
prejudices. An initial vote is taken and eleven of the jurors vote "guilty". Juror 8 is the lone dissenter, stating that the
evidence presented is
circumstantial and the boy deserves a fair
deliberation, upon which he starts questioning the accuracy and reliability of the only two witnesses to the murder, the fact that the knife used in the murder is not as unusual as testimony promotes (he produces an identical one from his pocket), and the overall shady circumstances. Having argued several points, and producing a knife identical to the murder weapon, Juror 8 requests another vote. He proposed that he would abstain from voting, and if the other eleven jurors voted guilty unanimously, then he would acquiesce to their decision. However, if at least one juror voted "not guilty" then they would continue deliberating. In a secret ballot, Juror 9 is the first to support Juror 8, and not necessarily believing the accused is not guilty, but feeling that Juror 8's points deserve further discussion. After listening to the complaints of Jurors 7 and 10, Jurors 5 and 11 change their votes. After Jurors 2 and 6 also decide on "not guilty", 7 becomes tired and also votes "not guilty" just so that the deliberation may end. When pressed by Juror 11, however, 7 says that he believes the defendant is not guilty. Juror 12 changes his mind after voting "not guilty", but switches back moments after; the foreman, #1, also votes "not guilty". Juror 10 loses all favor or respect after indulging in a bigoted rant, after which he is told to "sit down and don't open [his] mouth again" by Juror 4, who soon becomes convinced by Juror 9 that the witness'
testimony may be inaccurate because she may not have been wearing her glasses at the time of the alleged murder.
Last of all to agree is the adamant Juror 3, who, after a long confrontation with Juror 8, breaks down after glancing at and furiously tearing up a picture of him and his son. It is revealed that Juror 3 has not seen his son in two years, and his rage may be the result of a falling out with the boy. When his son was young, the father tried to teach the son to "be a man" after seeing him lose a fight. The son ended up punching his father in the mouth. The final vote is unanimous for
acquittal. All jurors leave and the defendant is found not-guilty off-screen, while juror number 8 helps the angry juror number 3 with his coat in a show of compassion. In an epilogue, the friendly Jurors 8 (Davis) and 9 (McArdle) exchange surnames (all jurors having remained nameless throughout the movie) and the movie ends.
Production
Reginald Rose's screenplay for
12 Angry Men
was initially produced for television, and was broadcast on the
CBS program
Studio One
in 1954. A complete
kinescope of that performance, which had been missing for years and was feared lost, was discovered in 2003. It was filmed at
Chelsea Studios in
New York City.
[1]
The success of the TV film resulted in a film adaptation.
Sidney Lumet, whose prior directorial credits included dramas for television productions such as the
Alcoa Hour
and
Studio One
, was recruited by Henry Fonda and Rose to direct.
12 Angry Men
was Lumet's first
feature film, and for Fonda and Rose, who co-produced the film, it was their first and only roles as
film producers. Fonda later stated that he would never again produce a film.
The filming was completed after a short but rigorous rehearsal schedule in less than three weeks on a budget of about $350,000.
At the beginning of the film, the cameras are positioned above eye level and mounted with
wide-angle lenses to give the appearance of greater depth between subjects, but as the film progresses the
focal length of the lenses is gradually increased. By the end of the film, nearly everyone is shown in closeup using
telephoto lenses from a lower angle, which decreases or "shortens"
depth of field. Lumet, who began his career as a director of photography, stated that his intention in using these techniques with cinematographer
Boris Kaufman was to create a nearly palpable
claustrophobia.
[2]
Reception
Critical responses
On its first release,
12 Angry Men
received critical acclaim. A. H. Weiler of
The New York Times
wrote "It makes for taut, absorbing, and compelling drama that reaches far beyond the close confines of its jury room setting." His observation of the 12 men was that "their dramas are powerful and provocative enough to keep a viewer spellbound." However, it was not a popular success: the advent of color and widescreen productions resulted in a disappointing box office performance.
Despite this, the film is today viewed as a classic, highly regarded from both a critical and popular viewpoint:
Roger Ebert lists it as one of his "Great Movies". The
American Film Institute named Juror #8, played by
Henry Fonda, 28th
in a list of the 50 greatest movie heroes of the 20th century, and Fonda himself as 6th of the 25
greatest American screen legends among males.
AFI also named
12 Angry Men
the 42nd
most inspiring film, the 88th
most heart-pounding film and the 87th best film of the past
hundred years. In June 2008, it revealed
AFI's 10 Top 10—the best ten films in ten "classic" American film genres—after polling over 1,500 people from the creative community.
12 Angry Men
was acknowledged as the second best film in the courtroom drama genre. As of August 2009, critics from Rotten Tomatoes gave the movie a 100% approval rating.
Awards
The film was nominated for
Academy Awards in the categories of
Best Director,
Best Picture, and
Best Writing of Adapted Screenplay. It lost to the movie
The Bridge on the River Kwai
in all three categories. At the
Berlin International Film Festival, the film won the
Golden Bear Award.
Adaptations
Film and TV
Indian director
Basu Chatterjee remade the film as
Ek Ruka Hua Faisla in 1986.
12 Angry Men
was remade for television in 1997. Directed by
William Friedkin, the remake stars
George C. Scott,
James Gandolfini,
Tony Danza,
William Petersen,
Ossie Davis,
Hume Cronyn,
Courtney B. Vance,
Armin Mueller-Stahl,
Mykelti Williamson,
Edward James Olmos,
Dorian Harewood, and
Jack Lemmon. In this production, the judge is a woman and four of the jurors are
African American (in interviews, producers said they decided against putting a woman in the jury because they didn't want to change the title). Still, most of the action and dialogue of the film is identical to the original. Modernizations include a prohibition on smoking in the jury room, the changing of references to income and pop culture figures, more dialogue relating to race, and occasional
profanity.
In 2007,
Russian film director
Nikita Mikhalkov completed
his remake of the movie. The jury of 64th
Venice Film Festival assigned its special prize to this remake
to acknowledge the consistent brilliance of Nikita Mikhalkov’s body of work
.'
[3]
Stage
Rose wrote several stage adaptations of the story. In 1964,
Leo Genn appeared in the play on the London stage. In other theatrical adaptations in which female actors are cast, the play is retitled
12 Angry Jurors
or
12 Angry Women
.
In 2004, the
Roundabout Theatre Company presented a
Broadway production of the play, starring
Boyd Gaines as a more combative Juror No. 8, with
James Rebhorn (No. 4),
Philip Bosco (No. 3), and
Robert Prosky as the voice of the judge. In 2007,
12 Angry Men
ran on a national theater tour with
Richard Thomas and
George Wendt starring as Jurors No. 8 and No. 1, respectively. The 2008 tour does not include Wendt but features another popular TV personality,
Kevin Dobson of
Kojak
and
Knots Landing
, as Juror No. 10.
Characters
Juror #
| Character
| 1954 actor
| 1957 actor
| 1997 actor
| 2004-2005 Actor
| 2006-7 Actor
| Order that juror votes 'not guilty'
|
1
| The jury foreman, somewhat preoccupied with his duties; proves to be accommodating to others. An Assistant High-School Football coach
| Norman Fell
| Martin Balsam
| Courtney B. Vance
| Mark Blum
| George Wendt
| 9
|
2
| A meek and unpretentious bank clerk
| John Beal
| John Fiedler
| Ossie Davis
| Kevin Greer
| Todd Cerveris
| 5
|
3
| A businessman and an emotionally distraught father, opinionated and stubborn with a streak of sadism
| Franchot Tone
| Lee J. Cobb
| George C. Scott
| Philip Bosco (Replaced by Robert Foxworth)
| Randle Mell
| 12
|
4
| A rational stock broker, unflappable and self-assured
| Walter Abel
| E. G. Marshall
| Armin Mueller-Stahl
| James Rebhorn
| Jeffrey Hayenga
| 11
|
5
| A young man from a violent slum, a Baltimore Orioles fan
| Lee Phillips
| Jack Klugman
| Dorian Harewood
| Michael Mastro
| Jim Saltouros
| 3
|
6
| A house painter, tough but principled and respectful
| Bart Burns
| Edward Binns
| James Gandolfini
| Robert Clohessy
| Charles Borland
| 6
|
7
| A salesman, sports fan, superficial and indifferent to the deliberations
| Paul Hartman
| Jack Warden
| Tony Danza
| John Pankow
| Mark Morettini
| 7
|
8
| An architect, the lone dissenter (in the beginning). Identified as "Davis" at end of film
| Robert Cummings
| Henry Fonda
| Jack Lemmon
| Boyd Gaines
| Richard Thomas
| 1
|
9
| A wise and observant elderly man. Identified as "McArdle" at end of film
| Joseph Sweeney
| Joseph Sweeney
| Hume Cronyn
| Tom Aldredge
| Alan Mandell
| 2
|
10
| A garage owner; a pushy loudmouthed bigot
| Edward Arnold
| Ed Begley
| Mykelti Williamson
| Peter Friedman
| Julian Gamble
| 10
|
11
| An immigrant watchmaker, proud to be a naturalized American citizen
| George Voskovec
| George Voskovec
| Edward James Olmos
| Larry Bryggman (Replaced by Byron Jennings)
| David Lively
| 4
|
12
| An excitable, indecisive advertising executive
| William West
| Robert Webber
| William Petersen
| Adam Trese
| Craig Wroe
| 8
|
See also
- List of American films of 1957
- Trial movies
Notes
- New York: The Movie Lover's Guide: The Ultimate Insider Tour of Movie New York - Richard Alleman - Broadway (February 1, 2005) ISBN 0767916344
- [1]
- Official Awards at the 64th Venice Film Festival
References
- New York: The Movie Lover's Guide: The Ultimate Insider Tour of Movie New York - Richard Alleman - Broadway (February 1, 2005) ISBN 0767916344
- [1]
- Official Awards at the 64th Venice Film Festival