Jon Hassell
(born March 22, 1937) is an American trumpet player and composer. He is known for his influence in the world music scene and his unusual electronic manipulation of the trumpet sound.
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JON HASSELL TICKETS
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Life and career
Born in
Memphis, Tennessee, Hassell received his
Master's degree from the
Eastman School of Music in
Rochester, New York. During this time he became involved in European
serial music, especially the work of
Karlheinz Stockhausen, and so after finishing his studies at Eastman, he enrolled in the Cologne Course for New Music for two years (founded and directed by Stockhausen). Hassell returned to the U.S. in 1967, where he met
Terry Riley in
Buffalo, New York and performed on the first recording of Riley's seminal work
In C
in 1968. He pursued his
PhD in
musicology in Buffalo and performed in
La Monte Young's "Dream House" (aka
Theatre of Eternal Music) in
New York City.
On his return to Buffalo in the early 1970s, Hassell was introduced to the music of Indian
Pandit Pran Nath, a specialist in the
Kiranic style of singing. Hassell, Young,
Marian Zazeela (Young's wife) and Riley went together to India to study with Nath. His work with Nath awoke his appetite for
world music, and on the album
Vernal Equinox
, he used his trumpet to imitate the vocal techniques of Nath (treated with various
electronic effects) where he stated:
"From 1973 up until then I was totally immersed in playing raga on the trumpet. I wanted the physical dexterity to be able to come into a room and be able to do something that nobody else in the world could do. My aim was to make a music that was vertically integrated in such a way that at any cross-sectional moment you were not able to pick a single element out as being from a particular country or genre of music." [1]
In 1980, he collaborated with
Brian Eno on the album
Fourth World, Vol. 1: Possible Musics
. Hassell's 1981 release,
Dream Theory in Malaya
, led to a performance at the first
World of Music, Arts and Dance (WOMAD) Festival, organized by
Peter Gabriel. In the late 1980s, Hassell contributed to Gabriel's
Passion: Music for The Last Temptation of Christ
, the soundtrack album for
Martin Scorsese's film,
The Last Temptation of Christ
. Hassell and Pete Scaturro composed the electronic theme music for the television show
The Practice
.
Style
Hassell coined the term "Fourth World" to describe his musical style, as expressed both in his trumpet playing and in his approach to
composition. This musical conception combines the philosophy and techniques of
minimalism with Asian and African styles, and relies heavily on the use of electronic instruments. Critics of Hassell's style have noted its incorporation of New Age and world music styles, but have also detected the influence of
Miles Davis, particularly
Davis' use of electronics,
modal harmony and understated lyricism.
[2] Both on record and during live performances, Hassell makes use of traditional western instruments--keyboards, bass, electric guitar, and percussion--to create modal, hypnotic grooves, over which he plays microtonally-inflected trumpet phrases in the style of
Nath's Kiranic vocals.
[3]
Discography
- 1977 Vernal Equinox
- 1978 Earthquake Island
- 1980 Fourth World, Vol. 1: Possible Musics
with Brian Eno
- 1981 Fourth World, Vol. 2: Dream Theory in Malaya
- 1983 Aka/Darbari/Java: Magic Realism
- 1986 Power Spot
(produced by Brian Eno / Daniel Lanois)
- 1987 The Surgeon of the Nightsky Restores Dead Things by the Power of Sound
- 1988 Flash of the Spirit
- 1990 City: Works of Fiction
(All Saints Records)
- 1994 Dressing for Pleasure
- 1995 Sulla Strada
(release of soundtrack from 1982)
- 1998 The Vertical Collection
- 1999 Fascinoma
- 2005 Magic Realism, Vol. 2: Maarifa Street
- 2009 Last Night the Moon Came Dropping Its Clothes in the Street
Collaborations
- 2000 Hollow Bamboo
with Ry Cooder and Ronu Majumdar (bansuri)
See also
- Michael Brook
- David Sylvian
- Talking Heads
References
- Sound on Sound
- Mark Gilbert: 'John Hassell,' ''Grove Music Online'' ed. L. Macy (Accessed 7 2007),
- Jon Pareles, "Jon Hassell with Trumpet and Electronics," ''New York Times'' September 21 1989: p. C15, ''ProQuest Platinum'', Online (November 6, 2007).