Swimming With Sharks
is a 1994 American comedy/drama film, directed and written by George Huang.
It is also known as The Boss
and Buddy Factor
.
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SWIMMING WITH SHARKS TICKETS
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Plot
Buddy Ackerman, an influential movie mogul, hires a young executive as his assistant. Guy, who has just graduated from film school, believes that his new job is a golden opportunity. Despite warnings from Rex, the outgoing secretary who has become hardened under Buddy's reign and about to take a major executive position at another studio, Guy remains optimistic.
Unfortunately, Buddy turns out to be an employer from hell; he treats Guy like a slave, subjects him to sadistic (and public) verbal abuse, and has him bending over backwards by doing meaningless errands. Guy is humiliated and forced to bear the brunt of his insults. When Guy overhears a phone conversation between his movie producer girlfriend, Dawn, and Buddy that leads him to believe Buddy is sleeping with her, he snaps and kidnaps Buddy in order to exact some revenge, which results in tying up Buddy and subjecting him to severe beatings, torture and paper cutting Buddy on his face and dumping salt and hot sauce on the wounds.
Once in Guy's power, however, Buddy reveals for the first time a human, vulnerable side, telling a tragic story about his wife's death and revealing that he too was once a bullied assistant to powerful, tyrannical men for ten years, leading to why he subjects Guy to such abuse and Buddy's plans for Guy's future. Guy also learns a few secrets about Dawn, and must confront what he really wants from life and to what lengths he'll go to get it.
In the end, Guy realizes he has to make a choice.
Cast
- Kevin Spacey — Buddy Ackerman
- Frank Whaley — Guy
- Michelle Forbes — Dawn Lockard
- Benicio del Toro — Rex
- T.E. Russell — Foster Kane
- Roy Dotrice — Cyrus Miles
- Matthew Flynt — Manny
- Patrick Fischler — Moe
- Jerry Levine — Jack
Background
Huang decided to write the script after having a conversation with
Robert Rodriguez. Rodriguez was in
Los Angeles after his film
El Mariachi
brought him to the attention of Sony Pictures, where he befriended Huang. Huang told Rodriguez of his frustrations with filmmaking when the director encouraged him to quit his post at Sony and pursue writing full time so Huang could produce a script to direct himself.
Huang's resultant script, "Reel Life" was picked up by Cineville executive,
Frank Evers (NYPH), who brought in financing from independent investors, and significant production support from Sony Pictures Entertainment. The film was subsequently sold to
Trimark Pictures, which was assumed by Lionsgate in 2000. Cineville produced the film with Steve Alexander overseeing production.
Many rumors circulate about whom Buddy is based on. One is that the character was inspired by real life movie mogul
Scott Rudin, another is that he is based on producer
Joel Silver and Guy is based on Silver's assistant in the early 90's, Alan Schechter. However, George Huang used to work as an assistant for Barry Josephson, who was the SR. VP of Development at Sony Pictures.
The director they hire, Foster Kane Is Similar to
Orson Welles's Character in
Citizen Kane, Charles Foster Kane
Stage adaptation
A stage adaptation penned by
Michael Lesslie had its world premiere at
London's
Vaudeville Theatre in October, 2007. The play starred
Christian Slater as Buddy,
Matt Smith as Guy and
Helen Baxendale as Dawn.
In other popular culture
Punk band
Lagwagon feature a quote from the movie in their song Gun In Your Hand, off their 1998 album
Let's Talk About Feelings. It quotes Buddy's speech" "I was young too, I felt just like you. Hated authority, hated all my bosses, thought they were full of shit. Look, it's like they say, if you're not a rebel by the age of 20, you got no heart, but if you haven't turned establishment by 30, you've got no brains. Because there are no story-book romances, no fairy-tale endings. So before you run out and change the world, ask yourself, 'What do you really want?'"
The same quote is featured, along with many other samples from the film, in the punk band
Damad's 1996 album, Rise and Fall.
See also
- 1994 in film
- The Devil Wears Prada