John Dawson "Johnny" Winter III
(born 23 February 1944) is an American blues guitarist, singer and producer.
Johnny and Edgar Winter were nurtured at an early age by their parents in their musical pursuits. Johnny Winter is known for his southern blues and rock and roll style, as well as his physical appearance. Both he and his brother were born with albinism.
In 2003 Winter was ranked 74th in Rolling Stone
magazine list of the "100 Greatest Guitarists of All Time" [1]
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JOHNNY WINTER TICKETS
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Career
Johnny Winter
first began performing at an early age with his younger brother,
Edgar Winter. Johnny's very first TV appearance was on a local children's television show that aired in Houston and Beaumont markets called the Don Mahoney and Jeana Claire show. Don Mahoney was a blind singing cowboy/kiddie show host in the Houston area for many years and Jeana Claire was his sidekick. Johnny and Edgar appeared on Mahoney's show when they were about ten years old, playing
ukelele and singing.
His recording career began at the age of 15, when their band Johnny and the Jammers released "School Day Blues" on a
Houston record label. During this same period, he was able to see performances by classic blues artists such as
Muddy Waters,
B. B. King and
Bobby Bland. In the early days Winter would sometimes sit in with
Roy Head and The Traits when they performed in the Beaumont, TX area, and in 1967 Winter recorded with The Traits releasing a vinyl 45 under the group's name, Tramp/Parchman Farm, Universal 30496. In 1968, he released his first album on Austin's legendary Sonobeat Records,
The Progressive Blues Experiment
.
[2]
Winter caught his biggest break in December 1968, when
Mike Bloomfield, well-established as one of the best blues guitarists in the United States, who admired his playing, invited him to sing and play a song during a "Super Session" jam concert Bloomfield and
Al Kooper were to perform at the
Fillmore East in New York. As it happened, representatives of
Columbia Records (which had released the Bloomfield-Kooper
Super Session
jam album to surprising Top Ten chart success) were at the concert. Winter played and sung B.B. King's "It's My Own Fault" to loud applause and, within a few days, was signed to what was then the largest advance in the history of the recording industry---$600,000.
Winter's first Columbia album,
Johnny Winter
, recorded and released in 1969, featured the same core group---called Winter at the time---with whom he'd cut
The Progressive Blues Experiment
, bassist
Tommy Shannon and drummer
Uncle John Turner, plus Edgar Winter on keyboards and saxophone, and (for his cover of "Mean Mistreater") blues legends
Willie Dixon on upright bass and
Walter Horton on harmonica. The album featured a few selections that would be considered Winter signatures over the coming years, including his own composition "Dallas" (a striking acoustic blues, on which Winter played a steel-bodied, resonator guitar), a cover of John Lee (Sonny Boy) Williamson's "Good Morning Little School Girl," and B.B. King's little-known "Be Careful With A Fool."
The album's success coincided with
Imperial Records picking up
The Progressive Blues Experiment
for wider release. The same year, the Winter trio toured and performed at several rock festivals, including
Woodstock. With brother Edgar added as a full member of the group for the time being, Winter also recorded his second album,
Second Winter
, this time in
Nashville, and unusual for the time in that it was a three-sided album. (The fourth side on the second disc was completely blank.) This album introduced a few more staples of Winter's concerts, including covers of Chuck Berry's "Johnny B. Goode" and Bob Dylan's "Highway 61 Revisited," two
Little Richard covers ("Slippin' and Slidin'" and "Miss Ann"), and original compositions such as "Hustled Down in Texas," "Fast Life Rider," "I Love Everybody," and "I'm Not Sure."
Contrary to
urban legend, however, Winter did not perform with
Jimi Hendrix and
Jim Morrison on the infamous Hendrix
bootleg recording "
Woke up this Morning and Found Myself Dead" from New York City's Scene Club. In his own words, "...I never even met Jim Morrison! There's a whole album of Jimi and Jim and I'm supposedly on the album but I don't think I am `cause I never met Jim Morrison in my life! I'm sure I never, never played with Jim Morrison at all! I don't know how that [rumour] got started."
[3]
With brother Edgar having released his own solo album (
Edgar Winter
) and now going off to form his own R & B/jazz-rock group,
Edgar Winter's White Trash, the original Winter trio disbanded and Winter formed a new band with the remnant of
The McCoys---guitarist
Rick Derringer, bassist
Randy Jo Hobbs, and drummer
Randy Z (who was, in fact, Derringer's brother---their real name was Zahringer)---and collaborated on songs picking up the rock and roll direction hinted by the Little Richard and Chuck Berry covers on
Second Winter
. Calling themselves Johnny Winter And, their album wore the same title and introduced a purely rock and roll direction, highlighted by Derringer's "Rock and Roll, Hoochie Koo" and a nimble cover of
Traffic's "No Time to Live." When they toured, however, with Bobby Caldwell replacing Randy Z, they mixed up these new rock numbers with Winter's standard blues, captured on
Johnny Winter And Live
. This album included a new performance of the song by which Winter had caught Columbia's attention in the first place: "It's My Own Fault."
Winter's momentum was throttled when he sank into
heroin addiction during the Johnny Winter And days. After he sought treatment for and recovered from the addiction, manager
Steve Paul courageously put Winter in front of the music press to discuss the addiction candidly. By
1973, he returned to the music scene with
Still Alive and Well
, a basic blend between blues and hard rock, whose title track was written by Rick Derringer as a salute to Winter's overcoming his addiction. The followup album,
Saints and Sinners
, continued the same direction; this was followed by another concert set,
Captured Live
, which featured an incendiary extended performance of "Highway 61 Revisited."
In live performances, Winter often tells the story about how, as a child, he dreamed of playing with the blues guitarist
Muddy Waters. By 1977 he got his chance. With his manager creating
Blue Sky Records to be distributed through Columbia, Winter got the chance to bring Waters into the studio for
Hard Again
. The album became a best-seller, with Winter producing and playing support guitar on the set that included Waters veteran
James Cotton on harmonica. Winter produced two more studio albums for Waters,
I'm Ready
(this time featuring Walter Horton on harmonica) and
King Bee
. The partnership produced
Grammy Awards, a best-selling live album (
Muddy "Mississippi" Waters Live
), and Winter's own
Nothin' But the Blues
, on which he was backed by members of Waters's band.
Waters himself told
Deep Blues
author Robert Palmer that Winter had done remarkable work in reproducing the sound and atmosphere of Waters's vintage
Chess Records recordings of the 1950s. The albums gave Waters the highest profile and greatest financial successes of his life.
Today
Winter has since recorded for several labels, including
Alligator Records and
Point Blank records. He has mostly returned to and stayed with the blues that are his first musical love.
However, from the first time he became a major music star, there appeared several Johnny Winter albums considered "non-official," some of which were cobbled together from the early singles he recorded as a teenager. Most were produced by Roy Ames, owner of Home Cooking Records/Clarity Music Publishing. According to an article from the
Houston Press
[4], Winter left town for the express purpose of getting away from him. Ames died on August 14, 2003 of natural causes at age 66. As Ames left no obvious heirs, the ownership rights of the Ames master recordings remains unclear. As Winter stated in an interview when the subject of Roy Ames came up, "This guy has screwed so many people it makes me mad to even talk about him."
Current tours
In a recent interview,
[5] Winter explained his current approach to music:
"Most of the stuff I do is fairly old," he says, which befits the lifelong bluesman. But don't expect to hear "Rock 'n' Roll Hoochie Koo", (even though that was one of his
signature songs). On this tour, Winter says firmly, "we're not playing any
rock and roll at all."
Despite experiencing several health crises in recent years, rendering him incapable of performing without being seated, Winter still tours regularly. Sitting down, he concentrates on blues numbers and eschews his rock hits, unless they're blues-based songs associated with him for most of his career, such as the August 23, 2008 performance in
Bowling Green, Kentucky in which he played "Highway 61 Revisited" and a song that provided a hit for
the Rolling Stones, "It's All Over Now."
Accomplishments and homages
Winter produced two
Grammy Award-winning albums by Muddy Waters,
Hard Again
and
I'm Ready
. At least three of his own albums were also nominated for Grammy Awards.
[6]
He was one of the many acts to perform at the
Woodstock Festival, playing a nine song set that featured his brother Edgar on two of the songs.
He was on the cover of the first issue of
Guitar World
in 1980.
In 1988, he was inducted into the
Blues Foundation Hall of Fame.
He is the 'Johnny' in the
Smashing Pumpkins b-side "Tribute to Johnny," off the single "
Zero."
Discography
Official albums
- The Progressive Blues Experiment
(1968, Sonobeat)
- The Progressive Blues Experiment
(1969, Imperial)
- Johnny Winter
(1969)
- Second Winter
(1969)
- Johnny Winter And
(1970)
- Live Johnny Winter And
(1971)
- "Roadwork" (1972) - with Edgar Winter's White Trash
- Still Alive and Well
(1973)
- Saints & Sinners
(1974)
- John Dawson Winter III
(1974)
- Captured Live!
(1976)
- Together
(1976) with Edgar Winter
- Nothin' But the Blues
(1977)
- White, hot and blue
(1978)
- Raisin' Cain
(1980)
- Guitar Slinger
(1984)
- Serious Business
(1985)
- Third Degree
(1986)
- The Winter of '88
(1988)
- Let Me In
(1991)
- Hey, Where's Your Brother?
(1992)
- Scorchin' Blues
(1992)
- Live In NYC '97
(1998)
- I'm A Bluesman
(2004)
- The Johnny Winter Anthology
(2009) via Shout! Factory
- The Woodstock Experience
(2009)
Compilation albums (some non-official)
- The Johnny Winter Story
(1969)
- About Blues
(1970)
- Early Times
(1970)
- Before The Storm
(1970)
- Birds Can't Row Boats
(1988)
- A Rock n' Roll Collection
(1994)
- White Hot Blues
(1997)
- Winter Blues
(1997)
- Deluxe Edition
(Alligator) (2001)
- The Best of Johnny Winter
(Sony) (2002)
Non-official albums
- Austin, TX
also known as The Progressive Blues Experiment (1972)
- Whole Lotta Love
(1978)
- Ready for Winter
(1981)
- Still Blues After All These Years/Live In Chicago
(1990)
- A Lone Star Kind of Day
(Relix- Roy C. Ames production) (1991)
- Jack Daniels Kind of Day
(1992)
- White Lightning
(1996)
- Back in Beaumont
(2000)
See also
References
- Title Unavailable
- http://www.vinylrecords.ch/winter/Singles/winter_disco_universal.htm
- Johnny Winter On Jimi Hendrix
- Houston Press article dated August 28, 2003
- North Bay Bohemian, a Northern California weekly
- Johnny Winter